COUNTRY SONG

COUNTRY SONG

Well yeah she had wings of course they all do
and I didn’t hesitate to pull the feathers off
one by one until they covered the apartment floor
as a record for her that I had been there before.
They were white they were black they were gray
and I pulled them ’till I could have made a coat
and it would have been warmer than any old coat
’cause any other coat would’ve made me choke.
When I was done there surely was some blood
among the feathers all across the apartment floor
but hey she didn’t mind she gave me her halo too
and I snapped it over my knee snapped it clean in two.
This is how I loved her I named her Elizabeth
and I sliced the country with broken halo halves
like knives I planted flags and kept the feathers close
conquered and killed a thousand thorns per rose
and when I returned I said to her this is all I got
your wings in pieces your halo in two and a sword
and well I’m sorry to say that that’s broken too.
She did not reply just pulled me to the window
pointed out to the sky and ripped my feathers off
my back and I didn’t flinch at all but I bled yeah
and isn’t that what feathers are really for
isn’t that what feathers are really for

Tags: poetry

I AM A BURDENED BEAST

I AM A BURDENED BEAST

Riding a skywhale is not so fierce a proposition
as one might imagine from the dinner table.
It could be like riding a BMW motorcycle
if the motorcycle were a thousand times the size
and wore blue and gray and silvered iron skin
and breathed the heavy breath of a creature that
knows the value in maintaining strong relationships.
I use a saddle cut from leather, just as clavicles
cut through leather and other hardened exhalations.
My reins are carved out of recycled bulletproof vests:
no better material for bondage than what can repel
contemporary blood-and-gristle/transmit moments.

And so we soar and roam
at cruising altitudes,
rending clouds for water
and my skywhale devours
seabirds by the flock.

She sings just like other whales and cannot fathom
the spite of maritime animals, with their spears
and gnashing teeth and bioluminescent stalks.
Neither can I. We prefer the sky, whether
stained and bleached by lightning and sleet or
bearing within its stomach all snow that ever was or
chorusing the sun’s ignorant heat in three-fourths’ time.
Sometimes I stand when I am brave, and the wind
pushes back against me with the reassurance withheld
for a young man who can ride a beast like this.
There is no better material for bondage than
what can carry me beyond the blood-and-gristle below.

And so we soar and roam
at cruising altitudes,
rending clouds for water
and I blithely devour
seabirds by the flock.

Eventually I will return to land, to rocks and dust
and the grasping trees in autumn’s funereal glare.
I will throw off the leather saddle and the reins
and look my skywhale in her morphous eyes
and say to her that she is as free as she ever was,
which is the same as saying that she was never mine.
But for now we are both beasts for a time and
I swallow the ice and the light and the moon at
ten nautical knots per hour, and I do it gladly;
there is no price that I would not pay for this.
If I had wings I would not be bound to her,
but if I had wings I would not be bound to her.

Tags: poetry

LEVIES

LEVIES

Handsome gentlemen in French-pressed suits
do homage to their kings.
Where did they come from.
The forests, the fields, The Field
in Sweden tharum-thumps in their ears;
they stride down the downtown street
with loafered smiles: thin, recently resoled.
In they swoop to seize the bar and
crow-like murder for bottles of wine,
more wine, more wine. These are refined,
instilled with values coaxed
from prior readings: Descartes before
David Foster Wallace. Such names are
always whispered and so and then
the whispers collate into sheets,
collapse into shouts for curricula vitae
(annotated beside — another bottle of wine,
the best, garçon) impressed into the solid wood
beneath their young, gentlemanly hands.
Until who can say where ends the wood and
begins the too-soft skin.
They do not dance,
never learned how, how to dance
when you speak like Prometheus’s Paris Review
(more clay than prestige), write like
Giapetto’s McSweeney’s (all wood, no wit).
Easier to beg forgiveness.
Apologies, sweet girl, I have Parkinson’s
or something like it. I owe my
life to Jean-Martin Charcot. Garçon,
garçon, more wine, so that I may
do homage to my kings.
Did you know them? I forgot them in tomorrow.

Tags: poetry

GOOD SCIENCE

GOOD SCIENCE

Crumbling manufacture the postulated theorem:
dogs were made to kill, not hound.
Prove in three steps or less.
I strangled a pulmonary girl while diving
into Europa’s southernmost ocean.
Such refreshing chill against
the bristles of Sunday. She said afterward,
two fingers outstretched, “I left
the ignition on.” We spurned budgetary
concerns, went to Kepler next. Pressed
our faces to windows and played pretend:
summoned more venom than we had;
were ready for certified knives
to slice out our abdomens and serve.
Butter being in short supply
we rocketed to another world, landed,
and declared the season to be autumn.
There I touched her cheek, then
she touched my hip, then
with glycerined smiles
we mattered into the dark.

Tags: poetry

PALATABLE

PALATABLE

My sympathies conclude bearskin
rugs, grasshopper materiel;
husks stricate the human faces in panoply.
All splay the asthmatic
ghosts cross my palate
and flavors salvador, dali
(branded, blazoned) then
sliding slide decomposed.
What to know but the arms, defense,
jaundiced creeks for countenance,
questions that errscribe: “between”.
Shouts, knives: like corroded
porcelain in layers flaked.
They build for me such elegant towers,
composed as they are,
from rugs, husks, ghosts.

Tags: poetry

ENCODED MEDIUM WELL

Look at that pot. Isn’t it hot.
This is something you know a priori.
That, and that, and that: established
in the past, in the dark, before
your eyes received the deepness
and the fire from the underwater glow
like eel-slithering streams into
the submersible magician confined.
Press fingers into temples,
sacrifice sight for lambs who bleat
encoded languages, constructed,
peeled from grammars to define
the absurdly melting days/years.
Desires. And this is how we find you:
in the fetal crawl, self-digested,
composed of movements spun bile,
played woodwind, violins’ weepings,
all that endless brushing and sweeping.
How you made so much of yourself
is a wonder when we look at that pot;
nonetheless you and I will grasp, burn,
blindly bleed internal organs combust
with sparks, to sing, and fight,
sing out the deepness darkly.

Tags: poetry

INTERNET DATING

INTERNET DATING

She put him in the ground,
expected him to grow, flourish,
become another thing entire.
Instead he camouflaged, or
he inveighed through the dirt
which kaleidoscoped into
a thousand shades of brutal
brown like the train of her
grandmother’s wedding gown.
Like the dead he shouted
profanities, echoed deer
who hobble across roads in
irregular patterns as if
sewn by drunkards or maybe
let’s just speculate in brief
that they, the deer, in fact
had been threshed by cars
so that the perpendicular
angles of their limbs were
not an accidental thing.
All this can take place upon
a table cast from bronze
and set into the washing median
inside a metropolitan city:
between the water, before the
appetizers, but just after
the bread, oil, and butter knives.

Tags: poetry

PUBLICATION

HUMOR

※ Dan McCandly, World-Famous Action Explorer and Husband of Linda McCandly, Who Is Also a World-Famous Action Explorer, Goes to Marriage Counseling (pub. 2011/05/13 @ McSweeney’s Internet Tendency)

※ Kevin Costner as Jim Garrison from Oliver Stone’s JFK Explains How Your Friend Beat You at Words With Friends (pub. 2011/04/12 @ McSweeney’s Internet Tendency)

Tags: fiction, poetry, publication

HEIST

HEIST

Expectations sophisticated the run of sun across almond-blossomed fields. Roads were only two lanes back then and safety instruction videos with cartoon frog mascots warned against drowning in canals. Now we wished that the frogs had warned us against nuclear earthquake tsunamis and other romantic entanglements. The fields surrendered themselves up to rolling hills of dust. There would be thunderstorming, castles and patricide, throughout the county. I wore a black North Face jacket to repel the wind, and black jeans, and black leather shoes. Tapped out rhythms belonging to the drone and thrall of radio talk-show hosts on the steering wheel. I was kept in peace.

New connections appropriated electric feathers and fiberoptic cables to bring me to wherever. I used Yelp to verify my location; used Google Street View to case. The proof in progress morphisized between the lens and nerve. The sun had gone. Black leather gloves; never a hat, too distinct. Others had chosen other ways to arrive but I was a tyrant in a fashion. I could not do what they did, could not mimic the pace or gait; disremembered faces and names after the fact, after happenstance meetings in shapeless warehouse stores, sometimes the home improvement aisle, sometimes condiments.

I retrieved the handgun, also black. Left the car running so that its engine’s guttural whispers, like lions in colonial Africa, could remind me of what it meant to be soothed. Walked around back behind the house, toe first then heel after with every step. Of course there was a lock on the back door and of course I had the key. Locksmiths asked fewer questions than they ought to and so did I, back then and still now.

People resembled dogs more than either people or dogs can know. Gave them food, gave them safety; received trust, smiles, wagging tails, widened irises. There was a cast of light from the splintered moon and that was all right with me. Few things in the world were more visceral than the unlocking of a lock, the opening of a door. Not explosions; not gunfire; not even ice cream parlors after high school dances trying to remember the decades prior. Everything was constructed more than either people or dogs can know.

Caution flooded more than mud in Spain or coal in Chile. I could not recall physics lessons but the voice of Carl Sagan was like lions in colonial Africa. Gun out. The clench of a fist required less muscle usage than a smile. The natural perspective was always the critical one. Everything ever: downhill after the unlocking of a lock. When the master of the house walked into the living room I shot him three times in the chest and he fell without grace or command. There was a safe in the bedroom in the nightstand along with books I had expected to see: The Prince alongside The Velveteen Rabbit.

The sum I received held little consequence in comparison to what remained under the house. The basement was padlocked. Our real treasures were never secured as well as they ought to be. I found the key for this behind a framed picture of the man and his dog. The astringency was at the cusp of excess. This was not a Shake-’n-Bake operation. Very much the picture of professionalism. Almost a shame.

The almond blossoms coated the fields like snow, or like fire extinguisher foam. I found it difficult to determine which was preferable. Fire alarm drills echoed inside my head as events that were not entirely unpleasant. We stood in crowds outside, commiserated, coimagined morbid scenarios of utmost destruction. What would you have taken with you, she asked me, back then. Well, I said. Either you or the money.

Tags: fiction

I, WEATHERMAN

I, WEATHERMAN

Multifaceted failures glamour like dew
sweating out the humid day; she was
a meteorological implausibility.
Lightning cast forges down the grassland,
splinters the trees, slides down canal-waters
and genocides the mosquitoes and the flies.
I prostrate myself across cobblestones,
offer myself up, hang signs in my eyes
to welcome the consumer, proselytize:
no clouds drift through; my mouth closes,
skin sews itself to itself and my tongue tastes
not the words but the clouds undrifting.
This is the prior experience in replica,
unprofessional. At the corners of sight,
propped up against buildings that loom prettily,
there lean dissimilarities. That streetlamp was
not a streetlamp; that girl was not a girl.
Again lightning, again she sings,
and all I hear are mosquitoes and flies:
mistakes in procession, drumbeats for deceptions;
that fight, that fight, that fight that one night
under lightning and past the humid day
into that humid night; (the recollection compresses,
then becomes: mosquitoes frozen in haildrops
like prehistoria in amber preservation)
what I see with eyes unclouded are faultlines
still occluded.
These were drawn in sand then painted over
for fear of misreadings by amateurs.
In the retrospective she will say
she does not fault me my imagination,
nor did she ever, never.

Tags: poetry